cordes sensibles featured

“Cordes sensibles” – The Académie Needs You!

Dear all, the Académie is looking for your support!

Donations will be used to fund the photography exhibition “Cordes sensible” at Boulogne-Billancourt documenting the incredible journey of the Académie. Any excess money goes directly to supporting their important work.

With your help, a new generation of the most deserving students will get a head start.

If it is at all possible for you, please consider donating: [x]

Thank you so much in advance!

For details and the special perks for generous donors read on below the video!

From the official website:

This exhibition is also yours, help us make this event a highlight of the 2020-2021 season!

By donating 20 €, you finance the purchase of sheet music; with a donation of 40 €, the purchase of a bow; with a donation of 350 €, the purchase of a violin; 550 €, the purchase of a piano; 1200 €, the purchase of a cello.

For any donation over 150 € (i.e. 51 € after tax deduction) you will receive a photo of the exhibition *

Any donation over 300 € (i.e. 120 € after tax deduction) entitles you to a photo of the exhibition autographed by Philippe Jaroussky * as well as access to a cocktail at the vernissage.

A big thank you to you!

*In the limit of the available stock. Photos to be collected at La Seine Musicale from 11/16/2020. PVC prints 60×40 cm or 60×90 cm

symphonie pour la vie plantu featured

“Symphonie pour la vie” (A Symphony for Life) – Stream and Preorder

“Solitary but solidary”

Today we’re in for a surprise treat! An illustrous team of artists joins forces for the “Symphonie pour la vie“, a charity album benefitting the Fondation Hôpitaux de Paris – Hôpitaux de France.

You can stream the album already! The regular release is on 12th of June 2020. Here is where to stream and preorder! [x]

(Just a side note: You can easily order from Amazon France if you live in Germany for example, simply using your regular Amazon account.)

Mr Jaroussky is contributing two pieces to this enjoyable compilation: “Les berceaux” (The cradles) from Gabriel’s Fauré’s “3 Mélodies” with the marvellous Bertrand Chamayou on the piano, and – partnering up with Alexandre Tharaud as a deluxe accompanist – Claude Debussy’s “Beau soir”.

You can find the full track list as well as the rest of the booklet here: [x]

Here is even more info on the project: [x]

Contributing artists: Lise Berthaud, Hugues Borsarello, Frank Braley, Gautier Capuçon, Yvan Cassar, Bertrand Chamayou, Nicolas Dautricourt, Karine Deshayes, Natalie Dessay Thomas Enhco, Laure Favre Kahn, Delphine Haidan, Philippe Jaroussky, Mathieu Martin, Edgar Moreau, David Moreau, Rhiannon Mothersele, Neima Nouari, Tom Nouari, Laurent Naouri, Nemanja Radulović, Dimitri Saroglou, Alexandre Tharaud

Here is the trailer!

Image credit: Cover art for the “Symphonie pour la vie” by Jean Plantureux (Plantu)

good friday featured

I am wishing you all a tranquil Good Friday!

For devout Catholics, Lent is a serious affair. Most people don’t fast for 40 days in a literal sense, but you are encouraged to kick bad habits, and even cut back on activities you enjoy for a while. Abstinence helps us to achieve greater clarity and to set priorities, sometimes painfully realizing what we were taking for granted and only notice once it’s gone.

So this year, we were all celebrating Lent together. We are forced to realize that life is precious, fragile, and fleeting, that health is a blessing and friends are important. Art is indispensable. It delves deep into our common history, tradition and our subconscious; it sublimates every emotion humans are capable of, and thus comes to our aid and comfort when words fail.

I am wishing you all a tranquil Good Friday!


Eia, mater
Vivaldi, Stabat Mater
Philippe Jaroussky, Ensemble Artaserse

Eia, mater, fons amoris,
Me sentire vim doloris
Fac, ut tecum lugeam.

Alas, Mother, fount of love,
make me to feel the force of your pain,
that I may weep with thee.

Translation after: [x]

Picture credit: William-Adolphe Bouguereau (1825-1905) – Pieta (1876), wikimedia commons

schedules featured

Concert Schedules

Dear all, I’m stating the obvious when I say that we can’t tell for sure until when concerts will be cancelled. We’ll keep our schedules updated to the best of our knowledge.

Something personal: Please consider not seeking any re-reimbursement of your tickets. With your money, you will support future projects, and ensure that artists have festivals, productions and venues to return to when this is over.

Stay safe, everybody!

shanghai march featured

Shanghai Symphony Orchestra Hall Cancels All Concerts For March

I have just been informed that, responsibly, the Shanghai Symphony Orchestra Hall decided to prologue its cancellations until end of March to prevent further spreading of COVID-19.

Among others, Mr Jaroussky’s concert on March 15 2020 is affected.

We’re very sorry for the Chinese fans and all the ones who intended to travel.

We will keep you informed should other changes to Mr Jaroussky’s schedule occur as soon as we’re made aware.

Here is the original press release: [x]

Hey Mr PJ featured 16-9

Jaroussky sings – and conducts!

Succeeding the pianist Sergei Babayan, Mr PJ is going to be “Curating Artist” at the Konzerthaus Dortmund for the 2020/21 season. Which means that in March, he is going to take over programming and concerts for a little while and is providing us with an unusual selection of events.

“Musically versatile” would be an understatement: There will be a masterclass, a moderated soirée, a classical recital, … An illustrious roster of artists is going to join him for a Nuit Française; there will be some solo concerts, and what seems to become his first conducting project.

Head over to the Konzerthaus Dortmund for tickets and more info!

Tickets are on sale already!

recording video

An Easy Way To Screen-Capture Transmissions

Sometimes – and more often than we would like – it’s impossible to get at the direct URL for a stream. That’s when desperate times call for desperate measures, and we need to just “film what’s on the screen.” So we need a screen-capture program!

The best free option for screen capturing I came across is OBS (Open Broadcaster Software.)

Screen-capturing is only one of many features this tool is great for. For simplicity, I’ll stick to this one in this post.


Official download site:

Select the appropriate OS from the list. The install file will land in your download folder.

First hurdle: During install, the program might complain it is missing files.

If that happens, it automatically redirects you to right site on, you check all options and click download.

Now you have to double-click on the components you just downloaded once to run them and install them. (Which takes about two seconds each.)

When you try to run the install file again, it should work without any more problems. If you run Windows 10, the program now appears in your list if you just start typing “OBS” into the little window on the bottom of your screen.

Settings and options


First of all, you can set the language. Go to File -> Settings and it’s right on top in “General.” You have to restart the program for the changes to apply.

When the program opens, it looks quite empty.

Just start from left to right and work your way through!


Here you give the scene a name. It won’t turn up as the file name, but you have to create one for the program to work. Click on the little “+” below “Scene” and add one.


Now it gets important. When you click on the “+” symbol there you see a lot of options. Feel free to play with the program there a little. You can record video sources directly, and capture games as well. Choose “Display Capture” for now.

When you do (you can always change the settings for “source” later by clicking the little wheel right below it), you see two options. One is the offset and size (default should be your full screen size, but it’s worth double-checking), and the other is for showing the cursor. If you do a tutorial, it might make sense to include the cursor, if not, leave the check-box empty.

Don’t panic if you see cascading windows on the display. It makes sense when you think about it – everything is fine!


Next is “Settings,” and now this is where it really gets relevant.

Go to “Output,” and select where your video files are supposed to go. Make sure you have enough disk-space on the partition you assign. I’m serious: If you record full-screen, the files will be huge. Also you might want to not choose your slowest hdd, if you have more than one.



Go to your Windows settings, and “Energy Options” in particular. Set “Turn off screen” and “Go to sleep” to “Never” – or your recording will black out after the time that is set there.

Back in OBS

Hit “Start Recording.” (“Start Streaming” would apply if you were the one broadcasting.)

The program records everything now that is showing on your display, together with the sound you hear on your PC. Choose the best quality for the stream you want to record, switch to full screen mode, and turn off everything that makes “pling” in the background, such as Facebook, screen alerts, and similar. The video you are recording needs to be in the foreground.

Remember, the screen capture will just record what you see. Which means, the OBS will be somewhere in the background, and you cannot see if it is recording or not.

Once you started recording, the text on the button changes to “Stop Recording.” Make a little test, and check the file that is going to appear in the location you assigned before under Settings -> Output.

Check double, check with music, check if the audio sounds okay if you choose a reasonable volume.

For Mac users

On Mac, everything is a little special. (Thanks for the great contribution!) To record audio properly, you might have to go to “System Preferences -> Sound Effects -> Output” and change it to “Soundflower (2ch)”:


Then do the same in OBS:

To listen your movie, you have to go to system preferences again and switch back to internal speakers.

Playing the file

A great free option to play almost any video file is VLC media player:

It also comes with a bunch of free codecs. (A codec is a certain way to encode a file, and read it. Without the right codec, your PC cannot play a video file.)

I hope the little post helped; best of luck with recording!








2017-01 featured

Philippe Jaroussky sings at the inauguration of the Elbphilharmonie Hamburg

It’s hard to say for whom it was the greater honour: for Philippe Jaroussky to be the very first singer ever at the Elbphilharmonie, or for Hamburg, and, on a larger scale, Germany, to have secured a musician of indisputable world class to open the new venue.

After a stony trail of mismanagement and miscalculations concerning the planning of the gargantuan project, the Elbphilharmonie was finally inaugurated. Accordingly, a great amount of pressure was on the shoulders of the NDR Elbphilharmonie Orchester and Thomas Hengelbrock, and also on that of the organisers. They had to balance introducing the hall as a public property, where everyone would be welcome and invited (the tickets for the two opening nights were all given away via a lottery), and creating an event that would be up to international standards in terms of performance, before an audience including our chancellor and other government officials, in an arena where the sound of the hall, designed by famed acoustician Yasuhisa Toyota, would be under public scrutiny. You can read more about his work here: [x]

Summary: it turns out you can’t please everybody. Some weren’t entirely happy with the sound (from a weird angle, as has been amended), some were overjoyed, some bemoaned the choice of pieces and composers. Actually, there was only one thing that drew unanimous consent: Mr. Jaroussky’s performance.

No matter what the general mood of the review, no one managed to find any fault in him. He was amazing. You don’t have to take me word for it; here’s…

… Die Welt, …

“Zum Glück werden die frühbarocken de Cavalieri- und Caccini-Solomadrigale von dem hinreißenden Philippe Jaroussky gesungen.”

[Luckily, the early baroque madrigals by de Cavalieri and Caccini are sung by the ravishing Philippe Jaroussky.]

Die Zeit, …

“Als der Countertenor Philippe Jaroussky kurz vor der Pause die Arie Amarilli Mia Bella von Giulio Caccini singt, lediglich von einer Barockharfe begleitet, wirkt das Publikum zum ersten und einzigen Mal gebannt und betört, der angespannten Situation völlig entrückt.”

[Only right before the intermission, when the countertenor Philippe Jaroussky sings “Amarilli, mia bella” by Giulio Caccini, the audience seems to be spellbound and enraptured, completely set free from the tension.]

… FAZ, …
“Gute Sänger haben es gut: Wenn Countertenor Philippe Jaroussky mit seiner schmelzenden Zauberstimme den Renaissance-Schlager „Amarilli mia bella“ von Giulio Caccini hoch oben von Block L heruntersingt, sparsam begleitet von den glockig-zirpenden Stütztönen, die Barockharfenistin Margret Köll zuliefert, so wird das zum kulinarischen Hochgenuss.”

[That’s good news for good singers: when countertenor Philippe Jaroussky, with his mellifluous enchanting voice, is singing the Renaissance evergreen “Amarilli mia bella” by Giulio Caccini, from high above at block L, sparingly accompanied by the bell-like, chirping sustaining notes provided by the Baroque harpist Margret Köll, it turns out to be a feast.]

and my personal favourite, ... Die Süddeutsche Zeitung

“… Wer aber Jaroussky schon an anderen Orten und unter schlechteren akustischen Bedingungen gehört hat, weiß, dass dieser Mann immer so gut singt: androgyn, distanziert und mit einer leichten Drohung in der Tonfärbung, irgendwo zwischen Sadismus und Exzess. Die Akustik Yasuhisa Toyota[s] ändert rein gar nichts an Jarousskys phänomenalem Können. Sie erlaubt es aber dem Konzertbesucher, jede noch so feine Nuance seines Gesangs zu hören. Das allein ist schon grandios.”

[… However, [anyone] who has listened to Jaroussky before, in other locations, and under worse acoustic circumstances, knows that this man always sings this well: androgynous, distanced, and with a slight menace to the colouring of his voice, somewhere between sadism and excess. Yasuhisa Toyota’s acoustics change nothing at all about Jaroussky’s phenomenal skill; however, it allows the listener to experience the slightest nuances of his singing, This alone is terrific.]

But hear for yourself!

Because I didn’t see it mentioned anywhere, let me add an extra credit because only the day before the inauguration, Jaroussky had sung the last performance of Alcina in Zürich – Ruggiero, a whale of a role. So, probably as the only one from the cast, he wasn’t allowed to party after the dernière but had to get ready for Hamburg without any break. Furthermore, I can only imagine what it means to sing as the very first singer at an event of that scale, and without the comforting blanket of an orchestra, knowing every shade of what you do is going to be perceptible, for good and for worse, by the roughly 2000 people in the live audience, and the audience following the live stream worldwide, with people zooming in on Google 3D – including many people who most likely will never have heard you before. In short: a true feat, and a memorable performance.

Let’s hope his glorious singing broke the spell of bad luck that was hovering above the project!

Finally, my own two cents: as a person from Stuttgart, I’d happily take roughly ten times an Elbphilharmonie (and counting) for a probably eternally unfinished Stuttgart 21. 

You can still watch the stream! Head to the …

Youtube channel of the NDR Elbphilharmonie Orchester: [x]
… or to ARTE Concert! [x]